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CINEMATIC FPV

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GENERATION CINEMATIC
FPV

FPV, First Person View, has transformed what aerial cinematography can do. Flying at speeds and through spaces no conventional drone can reach, navigating interiors, chasing action at ground level, threading through environments that would stop any other aircraft, FPV has opened up a completely new visual language for filmmakers. And the pilot makes all the difference.

Our FPV team comes from the world of competitive drone racing, where success is measured in hundredths of a second and millimetres of clearance. That background gives them reactions and control that can't be taught on set. But speed alone doesn't make a shot. Our pilots think cinematically, reading the frame and working closely with DOPs and directors to build a move rather than simply fly one. It is precision and instinct in equal measure, flown by people who understand why the shot matters.

FIXED FPV

The camera is hard mounted to the drone meaning the horizon is not stabilised. Moves are characteristically dynamic, fast and fluid and the drone can perform hairpin turns and rolls. Payloads include our in-house RED Raptor, Komodo, ZCams E3 F6 and Sony FX6 with with specially adapted light weight cine lenses, CMotion LCS and DJI TX system for robust signal. 

HYBRID FPV

The speed and accuracy of fixed FPV drones with the addition of a stabilised remote head which can be top mounted or underslung, allowing the camera operator full camera movement control. We operate a range of hybrid systems suited to different environments and tasks whether flying inside close to artists, hand catching to introduce a handheld transition into a shot or for longer flight times or heavy payloads. Capable of lifting a fully loaded gimbal up to 13.5kg. 

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